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Time travel is an alien concept in Hindi cinema, and few filmmakers have achieved success in this genre.
Dobaaraa, directed by Anurag Kashyap, attempts to explore the same theme, but the film loses steam in the second half and ends up being a confused and complex time travel tale.
The team tries to say too much, but none of the subplots are layered enough to matter at the end.
While the idea of a portal is explored with conviction, the screenplay lacks clarity in conveying the consequences of playing with the tense.
In the first half, director Anurag Kashyap creates the right amount of tension while also creating intrigue around the complex plot and his characters.
He does, however, reveal too much of the mystery surrounding the entire build-up too early in the second half, leaving little thrill and surprise in the final 30 minutes.
In fact, the story takes a confusing turn in the second half, shifting from one era to the next and from one character to the next with little context.
The cinematography, lighting, camera work, visual effects, and other technical aspects are all appropriate for the genre and contribute to the viewer’s interest.
While the film has a short runtime, the editing could have been improved to make the film more accessible to the audience rather than jumping from one episode to the next.
Dobara Movie Review Taapsee Pannu & Anurag Kashyap’s film
Electrical storm of the same magnitude and nature as another that struck a quarter-century ago opens a line of communication between a schoolboy who died in 1996 and a woman who moves into the house where the former lived with his mother in 2021.
Dobaaraa, a well-acted, nimbly crafted time-loop thriller, is built around that enthralling premise. The mindbender is a remake of a 2018 Spanish murder mystery directed by Anurag Kashyap and written by Nihit Bhave.
The latter draws on a few key elements of his filmmaking style while limiting others to create a witty head-scratcher that thrives on a complex, if not particularly deep, interweaving of timelines and dimensions of existence.
Dobaaraa is not always electrifying, but it is consistently entertaining and engaging. It combines the ramifications of a messed-up space-time continuum with the far simpler conventions of a crime thriller.
Even when things aren’t going well, Anurag Kashyap gets a lot of things right.
The director teases a completely new beast out of the narrative material drawn from Oriol Paulo’s Adriana Ugarte and Alvaro Morte starrer Mirage, using sure-handed methods and relying on a strong pivotal performance by Taapsee Pannu.
In the last four years, this is the third Hindi remake of an Oriol Paulo film. Sujoy Ghosh remade The Invisible Guest (2016) as Badla (starring Pannu alongside Amitabh Bachchan), while Jeethu Joseph remade El Cuerpo (2012) as The Body.
Both Badla and The Body, both released in 2019, had foreign settings and attempted to recreate the atmosphere of the original films as closely as possible.
Dobaaraa, set in a Pune suburb, follows the Mirage plot in general but is far from a carbon copy.
Kashyap’s lively version, informed with style, verve, and a distinct directorial imprimatur, pits humans against each other in perplexing mind games amid a terrifyingly disruptive thunderstorm.
Dobaaraa is strong on atmosphere, which is aided significantly by Sylvester Fonseca’s cinematography. It relies on sustained intrigue rather than dread.
It’s a clever remake that quickly draws the audience in and holds their attention. Its fluid juggling of time, space, and reality catches it off guard and fascinates it at the same time.
Dobaaraa weaves its way into domains where questions outnumber answers and perceptions are repeatedly blurred as they are thrown into a spiral of perplexing contradictions as the story progresses.
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